When you tell someone you're going to Van, the first word out of their mouth is "breakfast." Van is famous throughout Turkey for its breakfast. Actually, our hotel had almost the same thing, but we decided to try one of the local breakfast establishments. There were the usual tomatoes, cucumbers, and olives. But there was also a special Van cheese made with herbs collected in the mountains, a local version of kaymak, skimmed off the top of yogurt made with whole, (I'm assuming unpastuerized) milk, tahini (foreground) that you mix with a sweet sauce made from grapes, a kind of "cream of bulgur" fried in butter, other cheeses, fried eggs and sausage, etc.etc. We had a marathon day in front of us and didn't actually eat again until we were on the plane home.




Above left is the god Haldi surrounded by the Urartian numbers. On the right is the Urartian alphabet.
The inscription Mr Kushman is reading refers to the reason for the building of Chavustepe. It was built between 756-730 BC by the Urartian king Sarduri II. In this inscription he recounts the greatness of his father, Sarduri I. He says he knows that he is now king because of his father. Sarduri II tells how he found this plain without fruits, without vegetables or anything needed to survive. He was determined to recreate a wonderful place for his people to live and he was doing it in honor of his father. He also notes that anyone who might try to interfere with this place would lose the favor of Haldi, the chief god in the Urartian pantheon.
One of the reasons I wanted to travel to Van and the reason I chose the Easter weekend was Akdamar church, on Akdamar island. It is a former Armenian cathedral, the Church of the Holy Cross, built by the Armenian King Gagik between 915-921. It was actually part of a whole complex out on the island. You can still see the graves of the monks who lived there. There were terraced gardens below the church, on the side facing the mainland; the terraces are still there. There was also a palace, although we didn't see any remains. That doesn't mean they aren't there, however.
The entire church is wrapped in bas-relief. There is a kind of border with botanical images below the roof line. Some say it depicts flora through the seasons. Below that there are larger-than-life scenes from the Bible, like Adam and Eve eating the apple from the tree of knowledge, Abraham preparing to sacrifice Isaac on an altar, etc. They are quite amazing.
Of course, they had never seen a whale so they had to imagine what one would look like. The head's a bit strange but otherwise they weren't too far off. The interior was once covered with frescos. Quite a bit remains but there is still room for restoration. What I had hoped to do and was able to carry out in a modified way was to play some sacred music in the church on Easter. I took along my iPod and battery-powered speakers. After consulting with our guide I set them up and started playing the Kyrie from John Rutter's "Mass for Children." Of course, the guard came running, but was assured by our guide I wasn't doing anything "religious." However, we were also under time pressure as we had to catch a ferry back to the mainland and then get to the airport by 3 PM. So I could play as much as I wanted. But at least the sacred nature of the church was "recognized" on Easter -- even if just a little bit.
Parting view -- the church against Mr. Artos with the almond trees in bloom
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